John Waters

"When John Waters delivered his gleefully subversive advice to the graduates of the Rhode Island School of Design in 2015, the speech went viral, in part because it was so brilliantly on point about making a living as a creative person. From an icon of popular culture, here is inspiring advice for artists, graduates, and anyone seeking happiness and success on their own terms. Now we all can enjoy his sly wisdom in a manifesto that reminds us, no...

"The newest essay collection from the New York Times-bestselling John Waters, reflecting on how to overcome newfound responsibility and rebel in the autumn of your years"--

Follows the life of an overweight middle-class suburban housewife as she sees her world crumble when she discovers that her husband cheats on her, her daughter is pregnant and getting an abortion, and her delinquent son is the serial foot stomper who terrorizes local women.

Made on a shoestring budget in Waters' native Baltimore, with the filmmaker taking on nearly every technical task, this gleeful mockery of the peace-and-love ethos of its era features the Cavalcade of Perversion, a traveling show mounted by a troupe of misfits whose shocking proclivities are topped only by those of their leader: the glammer-than-glam, larger-than-life Divine, out for blood after discovering her lover's affair.

Housewife Turner is nearly perfect, except when someone violates her sense of appropriate conduct.

Between 1970 and 1977, six low budget films shown at midnight transformed the way we make and watch movies: The allegorical freak-out "El topo," the graphic horror of "Night of the living dead," the outrageous filth fest "Pink flamingos," outlaw reggae's "The harder they come," the phenomenal "Rocky horror picture show," and the darkly disturbing "Eraserhead." Discover the stories behind the movies that defied mainstream America to change the world...

Presents 37 diverse artists, taking viewers into artists' studios, homes, and communities to provide an intimate view of their lives, work, creative processes, and sources of inspiration.

The themes, images, and cultural vernacular of Victor Fleming's The Wizard of Oz continue to haunt David Lynch's filmography from his early short "The Alphabet" to his television series Twin Peaks: The Return. Is Lynch trapped in the Land of Oz? If so, what can we learn about his body of work by closely examining how it intersects and communicates with that legendary fantasy? In turn, what do Lynch's films have to say about the enduring resonance...